After the 2nd World War things began to change for so many people. Marlene was one of them! In 1953 she was offered $30,000 per week to appear live at the Sahara Hotel in Las Vegas. The show was short and mainly consisting of a few songs associated with Marlene and her daringly sheer “nude dress” – a heavily beaded evening gown of silk soufflé that gave an illusion of transparency. Surprise Surprise – it attracted a lot of publicity! One of these ‘attractions’ led to her being signed to appear at the Café de Paris in London the following year. She also had her Las Vegas contracts renewed. From that point forward to the mid-1970s she was a highly paid cabaret artist, performing live in large theatres in major cities world-wide.
Marlene employed Burt Bacharach as her musical arranger starting in the mid-1950s; together, they refined her nightclub act into a more ambitious theatrical one-woman show with an expanded repertoire. Her repertoire included songs from her films as well as popular songs of the day. Bacharach’s arrangements helped to disguise her limited vocal range – she was a contralto – and allowed her to perform her songs to maximum dramatic effect.
Francis Wyndham offered a critical appraisal of the phenomenon of ‘Dietrich in Concert’ when he wrote in 1964: “What she does is neither difficult nor diverting, but the fact that she does it at all fills the onlookers with wonder … It takes two to make a conjuring trick: the illusionist’s sleight of hand and the stooge’s desire to be deceived. To these necessary elements (her own technical competence and her audience’s sentimentality) Marlene Dietrich adds a third—the mysterious force of her belief in her own magic. Those who find themselves unable to share this belief tend to blame themselves rather than her.”
At this time Burt Bacharach felt he needed to devote his full-time to song writing. Together, they recorded four albums and several singles between 1957 and 1964. However – Marlene had come to rely on him in order to perform and, in a TV interview in 1971 she credited Bert Bacharach with giving her the “inspiration” to perform during those years. She said:-
‘From that fateful day on, I have worked like a robot, trying to recapture the wonderful woman he helped make out of me. I even succeeded in this effort for years because I always thought of him, always longed for him, always looked for him in the wings, and always fought against self-pity… He had become so indispensable to me that, without him, I no longer took much joy in singing. When he left me, I felt like giving everything up. I had lost my director, my support, my teacher, my maestro.’
In November 1972 a version of Marlene’s Broadway show ‘An Evening with Marlene Dietrich’ was filmed in London. It was titled ‘I Wish You Love’ and Marlene as paid $250,000 for her co-operation but she was unhappy with the result. Non-the-less the show must go on and in January 1973 it was broadcast on the BBC in the UK and on CBS in the US.