It was on Wednesday 3rd July 1963 that Cecil Beaton recorded the filming of My Fair Lady in his journal:
‘I had watched Audrey [Hepburn] during the tests, wearing almost no make-up and being photographed in a somewhat flat light. One took for granted her charm and vitality, but it was only when the result was magnified hundreds of times, that one realised that, as Jack Warner said, ‘She’s one in a million.’ Somehow, the celluloid accentuates her expressions of tenderness, humour, fun, hauteur and plaintive childishness. Her nose and jawline do not conform to the golden rule of Praxiteles yet add enormous character to the photographed result.
After seeing herself without eye make-up Audrey pleased me by saying that, in the future, she was going to soft-pedal its use. The ‘Flemish look’, without make-up, is going to be a surprise. Suddenly, one realizes what a hard look the black liner gives the eye, and how its effect is to close up, and make smaller, the white of the eye. Audrey’s appearance without it will be quite a revolution and, let’s hope, the end of all those black-eyed zombies of the fashion magazines.
Just in case you wish to know – and are like me and did not know who/what Praxiteles was – he was a 4th century BCE Greek from Athens, the son of Cephisodotus the Elder, and was the most renowned of the Attic sculptors of the time, being the first to sculpt the nude female form in a life-size statue.