Category Archives: Films

The man’s called BING

Harry Lillis Crosby – better known as Bing Crosby – was an American singer, actor, and song writer that achieved great popularity in radio, recordings, and motion pictures. He became the archetypal crooner of a period when the advent of radio broadcasting and talking pictures and the refinement of sound-recording techniques made the climate ideal for the rise of such a figure. His casual stage manner and mellow, relaxed singing style influenced two generations of pop singers and made him the most successful entertainer of his day.

He had acquired the nickname ‘Bing’ when he was in elementary school although it is unclear whether it came from a prank on a teacher or from a love for the comic strip of the time The Bingville Bugle. He came from a musical family and began to sing and to play the drums while studying law in Washington.  In the late 1920’s he was singing with the Paul Whiteman orchestra and, in 1931, he appeared in the early sound film King of Jazz. In 1932 he got his own program on the CBS radio station in New York City and began appearing in more films, so much so that by the late 1930s his records were selling millions of copies.

But let us take him back the late 1920s.

Bing and music really began when he started singing and playing drums in a small band called ‘Musicaladers’ that played at school dances and in social functions.  Bing and Alton Rinker – the brother of singer Mildred Bailey – dropped out of college in 1925 to try to make a success as a singing duo. Their target was West Coast – the home of Mildred and vaudeville theatres!  Mildred had contacts and introduced Bing and Alton to ‘a very big theatrical agent’ – they were on their way.  Some 18 months later the pair was hired by Paul Whiteman – at the time the leader of the most popular dance orchestra in the country!

Soon the two became three when Harry Barnes – a singer-pianist – joined them.   The Rhythm Boys developed a lightly swinging, easy-going vocal style that soon became one of the most popular elements of Paul Whiteman’s stage shows – AND his radio programs and recordings.

Bing had the most distinctive voice of the trio and, increasingly, was given chances to ‘go solo’ within the three.  He began developing a following from the younger members of the audience – so much so that he was assigned a key solo spot in a major production number.  The number was ‘Song of the Dawn’ which the Whiteman band filmed in Hollywood in 1930.

But …… things didn’t quite go to plan – but we’ll worry about that next week!

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She was born Miss Mortenson

On 1st June 1926 a little girl was born and, in due time, was named Norma Jeane Mortenson.  She was born and raised in Los Angeles and spent most of her childhood in fosters homes and an orphanage.  She married at the age of 16 and, in 1944 while working as part of the war effort in a radioplane factory, she was introduced to a photographer from the ‘First Motion Picture Unit’.  Photographs were taken and she soon began a successful pin-up modelling career.  This work led to a short-livered film contracts with 20th Century Fox in 1946/7 and Columbia Pictures in 1948.  After a series of minor film roles she signed a new contract in 1951 with Fox and from there her career blossomed.  Oh – by the way – by now she had changed her name.

She was now known as Marilyn Monroe!

I think we might say a little bit more about this lady in the near future!

It was nice to see you Marlene

On the late morning of Tuesday 27th February 2018 (yesterday) I was scanning through my weekend magazine to see what was on.  On page 55 I found that, at 12.35pm in their Film 4 program on Freeview 15; Freesat 300; Sky 315 & Virgin 428 (HD429) was a 1939 film – ‘Destry Rides Again’.  The star, playing the sheriff, was James Stewart that ‘makes an enemy, later a friend, in the shape of a sultry saloon singer’.  No mention was made of the real name of that woman but I knew who she was – I had written about her in my posting earlier this month.  It was Marlene Dietrich!

I wonder if I could make this a valid excuse to sit at home and watch more films!

Marlene Dietrich – a Dance Hall Queen

In the mid 1930’s things had begun to unravel for Marlene.  In her films she had become typecast as a woman of low morals.  Then, her chance of change came in 1939 when she was cast as “Frenchy” – a Western saloon hostess in ‘Destry Rides Again’.

1939 marked an incredible year in Hollywood cinema – one that saw probably the greatest variety of landmark films in its history: Stagecoach, Gone With the Wind, Ninotchka, The Wizard of Oz, Gunga Din, Mr. Smith Goes to Washington, The Grapes of Wrath, Wuthering Heights, are just a few. It was also a year where Westerns like John Ford’s ‘Stagecoach’ were reaching new artistic heights. Another to rise above the past was ‘Destry Rides Again’ a new kind of film which was a complex synthesis of several genres – comedy, romance, musical and Western revenge fantasy. Director George Marshall twisted these together in a unique and entertaining blend that helped redefine the genre’s sense of irony and purpose.

In the story Kent – the saloon owner and unscrupulous boss of the town of Bottleneck – has the town’s sheriff, killed when he asked one too many questions about a rigged poker game. Kent and “Frenchy”, his girlfriend and the dance hall queen, now have a stranglehold over the local cattle ranchers. The crooked town’s mayor, Hiram J. Slade, is also in collusion with Kent and appoints the town drunk, Washington Dimsdale, as the new sheriff, assuming that he will be easy to control and manipulate. But – what mayor Slade does not know is that Dimsdale was a deputy under the famous lawman Tom Destry, and is able to call upon the latter’s equally formidable son, Tom Destry, Jr. – played by James Stewart – to help him make Bottleneck a lawful, respectable town.  Destry confounds the townsfolk by refusing to strap on a gun in spite of demonstrating that he is an expert marksman. He still carries out the “letter of the law”, as deputy sheriff, and earns their respect.

A final confrontation between Destry and Kent’s gang is inevitable.  However, “Frenchy” is won over by Destry, changes sides and, when a final gunfight ensues, “Frenchy” is killed in the crossfire, and the rule of law wins the day.

This film began a new direction for Marlene because it released her from the typecasting of old.  In 1996, Destry Rides Again was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, and aesthetically significant”.

 

Marlene decides it’s her life – and she’ll live it her way.

On the strength of the international success of The Blue Angel’s that we saw last week, Marlene was given a chance for a crack in Hollywood. Her first film there was Morocco, a 1930’s romantic drama that she shared with Gary Cooper and Adolphe Menjou – an individual who had served as a captain in the US Army ambulance service during the war.  Morocco was nominated for four Academy Awards and won the National Board of Review ‘Top Ten Films’ award while Marlene was nominated but did not win the Best Actress award. In 1992, Morocco was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

With Paramount’s Josef von Sternberg at the helm Marlene starred in six more films between 1930 and 1935.  Their last two films – ‘The Scarlet Empress’ in 1934 and ‘The Devil is a Woman’ in 1935 – were the most stylized of their works together but also the lowest grossing films.  Later in her life Marlene was to remark that she had been her most beautiful in ‘The Devil is a Woman’.

Sternberg had welcomed her with many gifts – including a green Rolls-Royce Phantom II that appeared in ‘Morocco’ as well as acting as her own transport!  Behind all of this Marlene was also living a life of her own – and was also beginning to select her own lovers – with von Sternberg probably being the first!

It is said that Marlene juggled her lovers with the skill of a practical joker. At dawn her ‘visitor’ would sneak out of whatever rented Hollywood mansion she was living in at the time and then go back and ring the front doorbell as a polite visitor and sit down with Marlene to a breakfast of Scrambled Eggs!

A million becomes 60 million after this story hits the screens.

It was on this day – Saturday 6th October 1962 – that a film of the book launched the James Bond saga across the world.

‘Doctor No’ was the sixth novel by author Ian Fleming to feature his British Secret Service agent James Bond.   He had written the novel in early 1957 at his home in Jamaica and it was first published in the United Kingdom by Johnathan Cape on Tuesday 31st March 1958. The novel centred on Bond’s investigation into the disappearance in Jamaica of two fellow MI6 operatives.

Sean Connery – agent 007 – had to battle with the mysterious Doctor No – a scientific genius bent on destroying the whole U.S. space program. As the countdown to disaster began James Bond headed for Jamaica.  There, surprise surprise, he encountered the beautiful Honey Ryder (played by the beautiful Ursula Andress).  Together they have to confront a megalo-maniacal villain in his massive island headquarters.

Created on a one million dollar budget, the film box offices returned just short of 60 million dollars!

Charlie’s daughter Geraldine is born.

On Monday 31st July 1944, Geraldine Chaplin was born in California. Her father was Charlie Chaplin and her mother, Oona O’Neill, was the daughter of the Irish playwright Eugene O’Neill. Charlie was in his mid fifties and Oona was just 18 when they married and Geraldine was the first of the eight children they had together.

Geraldine became multi-talented – before becoming an actress she studied ballet – and also became a successful  model.

However, she soon made herself multi-skilled becoming fluent in French and Spanish.  This enabled her to appear in films made by French, Spanish and English directors and, as a result, she was able to win awards for performances in all three languages!  One of her early roles was that of Tonya, the wife of Dr Zhivago in David Lean’s film.